Beautiful background blur with 9 blade circular apertureĪ circular blade aperture helps to create attractive, even background bokeh when isolating subjects at wide apertures. With limits for close up subjects, distant subjects and all subjects, the user is able to increase the autofocus speed making quick shots a possibility. To enhance the photographer's use of the lens, it is fitted with a 3 position focus limiter switch. This allows for excellent image quality with high resolution, high contrast and excellent colour reproduction. Ultra-low dispersion (UD) lens element ensures high image qualityĪ UD element within the lens design effectively removes chromatic aberration. This provides 2-stops of correction during 1.0x magnification, increasing to 3-stops at 0.5x magnification and 4-stops during normal shooting. It is able to correct lens shift movement as well as the angular movement that most IS systems can correct. The new Image Stabilizer designed specifically for inclusion in a macro lens. Robust construction includes dust and moisture resistant seals to protect against harsh weather conditions. The lens embodies Canon's highest standards of L-series optics, build quality, reliability and operability. Macro lens with Image Stabilizer setting new standards for performance and features. 9 blade circular aperture for beautiful bokeh.However, I managed to obtain results I was really happy with from experimenting with my camera handheld.The EF 100mm f/2.8L IS USM, part of Canon's prestigious L series, and first featuring an Image Stabilizer with angle and shift detection that is highly effective at close focusing distances. This makes it ideal for ‘on-the-move’ wildlife photography.Īs with all macro photography, the best lens performance is to be had by mounting the lens on a good quality tripod, given the opportunity. This means you can successfully handhold at shutter speeds two stops slower than is otherwise possible – which is very handy if you don’t want to use a tripod, or are unable to do so for any reason. The hybrid image stabilisation offers up to two stops of correction at 1:1 magnification. There are two EF 100mm f2.8 Macro lenses in the Canon range, but only this one offers IS. Handheld.įor me, the selling point of this particular macro lens was its image stabilisation (IS) capabilities. Sunlight provides the beautiful gleam on the frog’s skin. RAW files reveal so much detail, and the resulting images are stunning.ĪBOVE: This frog was a visitor to my garden and didn’t seem to mind me lying down to grab this shot. It showed no evidence of vignetting when I used it at the widest aperture with the full-frame body. The manual focus option is easy to select and the focusing ring feels instinctive and smooth, as you would expect from a Canon L-series lens.Īnd the image quality! Once you have mastered the focusing, this lens really delivers. The AF is fast and works well with a single focus point on the camera. In practice, I found this to be an effective aid in selecting the focus range, for example, when picking out a spider web from its background. There are three limiting distances on the AF switch, 0.3 to 0.5m, 0.5m to ∞ (infinity) and 0.3m to ∞. The autofocus (AF) on the EF 100mm f2.8L Macro IS USM lens is superb. The dark background was achieved by using a small Manfrotto Lumimuse portable LED light to illuminate the cow parsley, adjusting exposure compensation to achieve the contrast. ![]() It is, of course, easily removed if you prefer to shoot without a hood.ĪBOVE: Cow parsley. Like the lens, the hood feels sturdy and well-constructed. The long lens hood, which is supplied with the lens, does a really effective job – not only with light issues, but also to prevent you from bumping up against your subject when you are just too absorbed and start to stray too close. I found it a well-balanced counterweight to my EOS 5D Mark IV body. The EF 100mm f2.8L Macro IS USM lens itself is relatively light, small and feels superbly constructed. Looking at the RAW files in processing revealed just how much detail had been captured. I couldn’t quite believe what this lens could achieve as I experimented with spot metering and exposure settings to remove the glare of a sunny day and create beautiful shots straight out of the camera. A tripod would have helped! 1/320 second at f2.8, ISO 160. ABOVE: I opened the aperture up to f2.8 to achieve this shot, but it took a lot of effort to get the tiny reflection pin-sharp.
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